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Au croisement de la calligraphie, des arts décoratifs et de l'architecture, les compositions de la canadienne Marian Bantjes occupent un large éventail de supports : affiches, installations, sacs, vitrines, etc.
After 10 years as a typesetter for a publishing house and then another 10 with her own agency, Canadian graphic designer Marian Bantjes went independent in 2003. Her exceptional typographic compositions were soon featuring in a broad range of media and wowing prestigious clients such as AIGA, Print Magazine, WIRED, Wallpaper, The Guardian and The New York Times. The Cooper-Hewitt National Design Museum has acquired several of her pieces for its permanent collection..