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Ce catalogue explore la relation entre les sens et l'enregistrement photographique.
Photographic images-so familiar to us-are considered immediately intelligible. And yet, most of them provoke a brief burst of astonishment, doubt or lasting perplexity.. Based on a personal collection of images from various periods gathered over the years, taken by anonymous photographers, forgotten auteurs or amateurs defying the categories established by the concept of the auteur-photographer, Michel Frizot's vision runs counter to the accepted criteria of history, art and excellence. Every photograph is an enigma for the gaze: for the enigma is part of the photographic act itself. It ensues from the distance between the natural vision and the camera's photosensitive capture process. By widening this gap, the modes of capture, the photographer's intentions, and the reactions and involvement of the 'photographee' together create new forms and perceptual requirements specific to photography. It is a question, above all, of understanding how much photographs, by transcending our visual capacities and going beyond our intuitions, also give rise to empathy and the need to project personal concerns. The element of enigma in photography bears witness, in fact, to what it is to 'be human'..
