Domus

Fondé par G. Ponti en 1928, le journal d'architecture et de design Domus traite en profondeur des thèmes et évolutions de style. Dans cette livraison, reprise de tous les numéros des années 1960, avec les mouvements anti-design et de design radical, Ray et Charles Eames, Gae Aulenti, Kenzo Tange, Ettore Sottsass, Carlo Scarpa, etc.

Futuristic thrill . The stars of 60s pop and experimentation . Founded in 1928 as a « living diary » by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.. In this fresh reprint of all 1960s issues, the magazine documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh, exploratory forms.. For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those projects and practitioners that made the grade include the Anti and Radical Design movements, Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Casti- glioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati, and Eero Saarinen..